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God Is a Weapon” Finds Falling in Reverse and Marilyn Manson Preaching in Perfect Harmony

Ronnie Radke and Marilyn Manson’s haunting vocal chemistry fuels a bold lyrical sermon on power, faith, and inner chaos.


©️ Epitaph Records.



With “God Is a Weapon,” Falling in Reverse and Marilyn Manson deliver a brooding anthem that digs deep into the corruption of faith, the illusion of power, and the raw desperation for identity in a world of noise. But what makes this track unforgettable isn’t just its message it’s how perfectly Radke and Manson’s voices thread through its heavy lyrics like confession and confrontation trading blows at the altar.


The lyrics are rich with apocalyptic imagery and defiance. Lines like “God is a weapon and faith is a loaded gun” cut like scripture soaked in gasoline. Radke’s delivery is urgent, fierce, yet calculated a voice teetering between rebellion and revelation. When Manson steps in, the mood shifts: his gravel-thick vocals act like the ghost in the chapel, echoing judgment with a calm cruelty. Together, they don’t just sing they testify.




The pairing of their voices is nothing short of electric. Radke brings razor-edged clarity to every syllable, while Manson draws shadows around each phrase with his slow, growling cadence. It’s a natural blend Radke’s fire to Manson’s smoke where neither artist tries to outshine the other. Instead, they amplify one another, creating a dynamic that feels both volatile and intimate.


What’s most striking is the shared emotional weight behind their delivery. This isn’t shock-rock for the sake of noise it’s a layered, emotionally intelligent piece. Beneath the rage is vulnerability. Beneath the blasphemy is heartbreak. When they chant the chorus in unison, it feels less like provocation and more like prayer a raw plea from two men who’ve lived through their own personal hells.




For longtime fans of either artist, “God Is a Weapon” is a lyrical masterclass and a vocal victory. It proves that even in a genre built on chaos, precision and emotion still matter. And when two voices this iconic come together in perfect pitch, the result is not just heard it’s felt.


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